The Hogwarts Express Hosts It’s One Millionth Rider

On Thursday, Universal Orlando Resort announced that the new Hogwarts Express Train Ride had it’s one millionth rider. To commemorate the occasion, guests were treated to house scarves, Hogwarts Express train tickets and Butterbeer Ice Cream. The Hogwarts Express, part of the new Diagon Alley expansion at Universal Orlando Resort opened just this past July 8th. To reach the one million milestone in such a short time is quite the achievement.

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Cheers from guests filled the air at Hogsmeade Station today as Universal Orlando Resort celebrated its one millionth rider on the Hogwarts Express – the iconic train that transported Harry Potter and his friends between Hogsmeade Station and King’s Cross Station in J.K. Rowling’s beloved series. To celebrate this magical milestone, nearly two hundred guests were given complimentary Butterbeer ice-cream.

 

In early July, guests began boarding the Hogwarts Express to travel between The Wizarding World of Harry Potter – Hogsmeade in Universal’s Islands of Adventure and The Wizarding World of Harry Potter – Diagon Alley in Universal Studios Florida. The incredible journey, which requires a park-to-park ticket, combines powerful storytelling, live special effects, lifelike animation and state-of-the-art technology to take riders on the journey of a lifetime.

 

Feltbeats.com Interviews Murder in the First Writer/Producer Eric Lodal

Eric Lodal, writer and producer of Tom’s current TV series Murder in the First, was kind enough to sit down and answer a few questions for us this week. In this exclusive interview, he discusses Tom, Erich and the creative process behind the hit TV show.

What was the casting process like for Tom? When did you know you had your Erich Blunt?

Easy. I’ve always been a huge fan of Tom’s and I thought from the beginning that he might be perfect for this role. Once we knew he could pull off the American accent, it was a no-brainer.

What’s something you learned about Tom that you didn’t already know?

What an incredibly good guy he is. You really get to know someone when you work this closely with them. Tom’s a wonderful person and a true pleasure to be around. He’s the ultimate pro, very down to earth, and treats everyone on the crew with the same amount of respect regardless of their position, which I admire greatly.

Any behind-the-scenes funny moments you’d like to share?

Sure, but then I’d have to kill you.

Will we see more sparks fly between Erich and Hildy?

I’m going to hold to our policy of not answering plot questions or providing spoilers.  I’ll just say everything comes to a head in these last two episodes.  It’s a pretty wild ending.

Erich Blunt comes across as super creepy and yet sometimes vulnerable. Great acting, great writing, or both?

Incredible acting that’s for sure.  I always imagined Blunt as an almost operatic villain and Tom is one of the few young actors in the world capable of pulling that off.

Erich is known as a Silicon Valley genius whose company is called Applsn, how much of his character’s inspiration is drawn from real life people such as Mark Zuckerberg or Steve Jobs?

Hopefully Blunt is his own creature. We certainly weren’t trying to draw any direct comparisons. But I think that a universal theme when you study all entrepreneurs is that there is a fine line between madness and genius and to create something from nothing, as they do, you must have a little bit of both.

Is there any chance of an Erich appearance if there’s a second season?

Anything is possible.

Has the series been green-lighted for a second season? And if so, have you begun to prep for season 2?

No.

What has been the fan reaction in relation to the show?

Pretty positive? A little hard to tell from my position. You tell me?

Do you have any lawyers or homicide detectives consulting on the show?

Absolutely. We were lucky enough to have the help of the legendary Howard Weitzman, a close friend of Steven’s and one of the world’s best and most renowned criminal attorneys.  Howard worked with us on all of the story and scripts related to the trial and criminal case to make sure we were as close to reality as possible.  And Joe Toomey, a forty-year homicide inspector with SFPD and a bit of a legend up there, was our police tech-consultant on set every day making sure we did things properly.  So we were in very good hands.

To what extent do you use real forensic psychology and techniques

All the time and as much as possible.

Are there any scenes that were improvised / were added spontaneously?

You always leave room for improvisation within scenes, but you try to never add scenes on the fly. That would create chaos on set and in the prep process.  For the most part we stick to the scripts.

Most crime shows, such as Law & Order, have different crimes each week. Where did the idea come from to take one case and stretch it to an entire season?

Well my partner Steven Bochco was the first to do this on network TV with MURDER ONE in 1995.  It was ahead of its time.  Ours is different in many ways, we put the cops at the center as opposed to the lawyers, etc. but the first show to track a case over an entire season was Murder One.

Thanks very much to Eric for answering our questions! Murder in the First screens tonight at 10/9C on TNT. You can follow their twitter account @MurderFirstTNT, and Eric’s Twitter @EricLodal. Don’t forget to choose your side over Erich’s innocence or guilt!

And follow along with admin Lori on the @feltbeats twitter as she livetweets tonight’s episode!

Tom Felton Set For New Testament Movie ‘Clavius’

Deadline announced today that Tom will be in the bible movie ‘Clavius’, a new movie about Romans searching for the body of the purportedly risen Christ. Tom confirmed it to us.

Joseph Fiennes will star and Tom Felton will co-star in Kevin Reynolds’ early first-century epic thriller Clavius. Patrick Aiello is producing with LD Entertainment CEO Mickey Liddell and Head of Production Pete Shilaimon. LD is financing the film and eyeing an Easter Weekend 2015 berth.

Scripted by Paul Aiello with additional writing by Reynolds, Clavius is told through the eyes of an agnostic Roman Centurion (Fiennes) charged by Pontius Pilate to investigate rumors of a risen Messiah and locate the missing body of Jesus of Nazareth in order to subdue an uprising in Jerusalem. Along the Centurion’s high-stakes mission, his doubts of such a supernatural occurrence are challenged as he encounters the Apostles and other historical characters while piecing together the mysterious events that unfolded after the crucifixion.

Production begins in August in Malta and Spain, and casting for the co-lead of Pontius Pilate is underway. Liddell and Aiello said there is a Gladiator tone as the drama unfolds in the 50 days after the crucifixion. Fiennes co-starred in the Brett Ratner-directed Hercules and wrapped Strangerland opposite Nicole Kidman, and he’s signed to star on the Anonymous Content drama series Nostramadus. Felton appeared in Rise Of The Planet Of The Apes after starring as Draco Malfoy in the Harry Potter franchise. He just completed In Secret for LD Entertainment. Reynolds most recently helmed History’s Hatfields & McCoys, which reunited him with longtime collaborator Kevin Costner. Aiello produced As Above, So Below for Legendary, and LD is in post on the Rufus Sewell-starrer The Devil’s Hand and In Secret with Oscar Isaac, Jessica Lange, Elizabeth Olsen and Felton.

Fiennes, Reynolds and Aiello are repped by WME, Felton by Troika and Management 360.

source: Deadline

Feltbeats.com’s review of Tom Felton’s short film “How I Didn’t Become a Piano Player”

Feltbeats.com was lucky enough to be sent a copy of Tom Felton’s latest short film, How I Didn’t Become a Piano Player to review.

How I Didn’t Become a Piano Player is a short film, written and directed by Tommaso Pitta at the National Film and Television School (NFTS). It is based on the short story by David Nicholls, “Every Good Boy”. Tom plays the Voice of Ted, who gives a frank and often quite hilarious retrospection of his time learning to play the piano.

The film opens on a football pitch. Two teams of children battle it out in a big group, when suddenly the ball is kicked towards a boy who is standing completely alone. The goal is open; it’s only him and the keeper, he brings the ball as close as he can, he shoots and- he misses. The final whistle is blown and his team has lost.

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Logan Shearer as Ted

Say hello to Ted (Logan Shearer). Nine years old and “remarkable for being entirely without ability”. His brother and sister are gifted in their own ways, but he can do nothing well. He’s tried various sports and enterprises, but he is still searching for something, anything, to be good at.

Then his father brings home a piano, and it becomes obvious… music is clearly the answer.

The film follows Ted experimenting on the piano, and taking music lessons from Mrs Patricia Chin (Gabrielle Hamilton), who doles out the homework for months with little improvement, much to her exasperation. But Ted does not give up, and drives his family mad in the process.

“Sharps were flat. Flats were sharp. Chords were destroyed. A cat walking across the keyboard would have struck more correct notes… No, a dog! A sheepdog in boots!”

Ted is ever optimistic of having a breakthrough though, even after his mother and Mrs Chin both inquire as to whether he might like to give up, or at least practice less. His piano playing is painful, but also quite funny. The very out-of-tune piano adds a lot to the horrific noises that emanate from its strings.

This film is witty and charming, and still maintains a light-hearted feel even when the worst happens during the climax of the film.

I would certainly recommend this one for Felton Fans to watch, as it’s a lot of fun even in the short amount of time it takes to view. Hopefully you all get a chance to see it for yourselves very soon.

In the mean time, you can listen to David Nicholls read “Every Good Boy” over on The Guardian’s website, as it has a lot of the same lines as the film. The trailer for the short can be viewed on the NFTS website, and you can like their Facebook page. How I Didn’t Become a Piano Player was also recently screened at the LA Shorts Fest.