The teenage magazine J-14 nominated Tom Felton for the first-ever J-14.com Rising Star Award in the category “Who is your favorite actor?” !
VOTE NOW FOR TOM FELTON AS YOUR FAVORITE ACTOR !
The teenage magazine J-14 nominated Tom Felton for the first-ever J-14.com Rising Star Award in the category “Who is your favorite actor?” !
VOTE NOW FOR TOM FELTON AS YOUR FAVORITE ACTOR !
The Filmmaker Gyre Entertainment of Tom Felton’s upcoming film “From The Rough” has now it own website, Twitter and facebook account. The movie “From the Rough” has an extra own facebook account. Check them out. They uploaded some behind the scenes photos and ctpost.com published an article about the production company and the movie.
‘From the Rough’ will show new aspects of African-American life
The first film from Gyre Entertainment – founded by former Pitney Bowes executive chairman and director Michael Critelli – is “From the Rough,” about a pioneering black female college golf coach played by Oscar nominee Taraji P. Henson.
For the past 40 years, mainstream films depicting African-American life have often veered from one stereotype to another or, roughly speaking, from “Foxy Brown” in 1974 to this year’s “Big Mommas: Like Father, Like Son.”
Instead of griping about the situation, like the rest of us, the former executive chairman of Pitney-Bowes, Michael Critelli of Darien, and Los Angeles writer-director Pierre Bagley decided to do something.
The result is a new production company, Gyre Entertainment, whose first film, “From the Rough,” starring Oscar nominee Taraji P. Henson, will open nationally this fall.
In separate phone interviews, Critelli and Bagley said they hope their movie will be the opening salvo in their new way of telling untold stories of African-American life.
“I sort of backed into it,” Critelli said of getting involved in the world of filmmaking after retiring from Pitney-Bowes.
“I just became obsessed with getting this story on the screen,” he added of “From the Rough”s true tale of the struggles of the first black female college golf coach in the United States.
Critelli has long been involved in advocating opportunities for women in the business world so “the story inspired me on a lot of levels.”
Combine the content of the film with Hollywood’s “unwillingness to promote and support movies with black women — and women in general” and Critelli was ready to try to apply his own corporate world acumen to the realm of commercial filmmaking.
Critelli is also ready to challenge the “misperception that movies with black performers do not have the same global reach (as films with white stars)…except for (those with) Will Smith.”
Although “From the Rough” is designed to entertain people, Critelli believes movies and TV can spearhead political and social advances in a way that “is far more powerful than laws and political advocacy. We need those components, but entertainment drives things faster.”
As a black filmmaker who has lived in Hollywood for many years, Pierre Bagley understands the struggle between making socially responsible movies and delivering films that will rack up significant profits.
“It’s kind of like the way everybody complains about what the government does. Either you try to make yourself part of it or you don’t,” he said of black actors he knows who will privately complain about the material they are offered but will publicly endorse it when the time comes to promote a big new release.
Bagley let out a rueful laugh as he recalled one conversation about “From the Rough” in which a prominent black performer interrupted the director, saying “Let me tell you how this town works.”
“At the end of the day, though, there is no conspiracy” against high quality, non-stereotypical films, Bagley asserted, because in Hollywood “there is no singular voice.”
“If you want to change something you have to try to do it yourself,” the filmmaker realized after meetings with studio personnel who would only give him less than a minute to encapsulate his idea for a movie. And when it became apparent that his ideas weren’t easily boiled down to an advertising tag line — or didn’t sound like another recent hit “urban” film — Bagley was shown the door.
It was not long after one of those soul-crushing studio executive brush-offs that Bagley decided to join forces with Critelli after they met at an Urban League gathering.
Bagley and Critelli were lucky to get one of the finest black actresses in movies today — Taraji P. Henson (an Oscar nominee for “The Curious Case of Benjamin Button”) — to commit to their first project; raised the $6 million needed to make “From the Rough” independently; and now are laying the ground work for a promotional campaign and wide release that will put the film on everyone’s radar this fall.
“It is a privilege to make a movie and to have 150 people (on the crew) working for the same goal. There was no THEM, there was no studio telling us what to do. Just Mike and me, keeping the whole thing very personal,” Bagley said of the filming of “From the Rough” in Louisiana last year.
Critelli believes that the Internet and the major social networking platforms give moviemakers new ways to reach audiences without spending the vast sums Hollywood does on major summer and Christmas releases.
The so-called “rules” that the studios have been following are being negated by independently produced hits such as “Black Swan” and off-beat but highly successful studio pictures like “The Blind Side.”
“Whatever rules there were, I think they are all subject to challenge now,” Critelli said. “Everything is up for grabs.”
Today is in UK Red Nose Day. Tom Felton, Rupert Grint and many other stars (Paul McCartney, James Gordon Smithy, Goerge Michael, Ringo Starr, Justin Bieber…) did together a sketch for this year’s Comic Relief – Red Nose Day on BBC.
Enjoy it – it’s great! 🙂 Thanks to Red Nose Day for the video!
James Corden’s sketch for this year’s Comic Relief was one of the funniest and star-studded ever in the history of the show. Full of top stars and celebrities from George Michael to former Prime Minister Gordon Brown, the hilarious sketch climaxed with Sir Paul McCartney telling James Corden that he was too fat to go to Africa.
James played the character of the chirpy plumber Smithy from Gavin & Stacey in thesketch which saw several celebrities arguing over who should go to Africa to make a film about the work of Comic Relief. Apart form Gordon Brown and Sir Paul, among the stars were Lords Coe and Winston, Keira Knightley, Rupert Grint and Tom Felton from the Harry Potter films, JLS, Rio Ferdinand, Tiny Tempah, Ringo Starr, Justin Bieber, and Olympic diver Tom Daley all apparently in the same meeting room.
Keira was told she couldn’t go to Africa because she was too gorgeous and Rio was not allowed to go for being unable to produce tears on demand.
When Smithy eventually volunteered, Paul told him he’s a bloater and said:
“People don’t like seeing tubby people over in Africa. If they hadn’t eaten so much, no one would be starving.”
Smithy arrived with George Michael in his plumber’s estate car, singing along to classic Wham! tunes.
Social media sites lit up within seconds of the sketch transmitted with people raving about the sketch including Good Morning’s Philip Schofield, who spoke for many when he said “Genius”. Corden replied, thanking everyone for their kind words and reminding them that it wasn’t just him who put it together.
Tom was also Trendic Topic Worldwide and in United Kingdom.
One film festival is seeing an emergence in short film production as never before seen thanks to the wonders of modern technology. Tom Felton’s “White Other” has hit the Fort Myers Film Festival scheduled to open this Wednesday in Fort Myers, Florida.
Film festivals find niche here
Suddenly, short movies are everywhere.
You can watch them on YouTube, or at the start of the latest Pixar cartoon, or even on your smart phone. They’re getting more respect at the Oscars, too.
Now shorts are coming to Fort Myers.
More than half of the movies at the new Fort Myers Film Festival are shorts. And most of the movies at the Black Maria Film Festival clock in at 20 minutes or less.
People don’t always want to watch a butt-numbing epic like “Inception,” says Fort Myers Film Festival founder Eric Raddatz.
Shorts are kind of like sex, he says and chuckles mischievously. “Sometimes you want to take your time. And sometimes you don’t.”
For people who want something quicker, the Fort Myers and Black Maria festivals have just what you’re in the mood for. The Black Maria festival opens Friday. The Fort Myers Film Festival opens Wednesday.
Some of these films are just a minute or two long. But many of them are packed with thought-provoking ideas, stunning visuals, stark emotions and well-realized characters.
It’s gratifying to see the short film get the respect and popularity it deserves, says Black Maria founder John Columbus. His traveling short-film festival celebrates its 30th anniversary this year.
Columbus started the festival so he and other short-filmmakers could get their work out to the public. Studios weren’t buying the movies. Festivals weren’t showing them.
Then the Internet and digital cameras came along and changed everything.
Suddenly, it became relatively cheap to make movies. The filmmakers’ biggest expense – film – got replaced by super-cheap digital media.
Now filmmakers don’t even have to worry about festivals and film studios. They can just post their movie on YouTube, and if they’re lucky, it could become an Internet hit (think “Dr. Horrible’s Sing-Along Blog” or Will Ferrell’s “The Landlord”).
“There’s an explosion of work, and it’s getting noticed,” Columbus says. “It’s just a revolution.”
Black Maria started in Wisconsin with just three shows. Columbus named it after inventor Thomas Edison’s mobile film studio.
Now the festival does about 70 shows a year in 23 states. This is the festival’s fifth year in Fort Myers. Columbus also plans to debut the festival in Punta Gorda on Sept. 10 at The Punta Gorda Visual Arts Center.
“Each year, we add a little more,” Columbus says.
Black Maria’s schedule of movies includes “La Premiere,” a historical drama about the battle to project a movie on a big screen for the first time – complete with sets, costumes, dramatic tension and fully realized characters. Those characters include Fort Myers’ own Thomas Edison.
“It’s just totally engaging,” Columbus says. “It’s got all the elements of a good story film, and it does it all in 20 minutes.”
Fort Myers Film Festival, in turn, offers shorts on topics such as meth addiction, a Nazi general’s attempt to save his dying son, and a grandmother who works in the phone-sex industry.
The Fort Myers Film Festival pitches itself as the home to edgy and/or local movies. “Some of these are kind of out there,” Raddatz says. “These are conversation starters.”
Shorts offer a different kid of challenge to filmmakers. Raddatz and Columbus make short films.
They’re kind of like haiku poetry, Columbus says. There’s freedom within those time limitations, but there’s also tremendous discipline.
“You have to be really succinct,” Columbus says. “You have to be tight. You have to focus in on what you’re trying to do, and you can’t be sloppy.”
As for moviegoers, shorts can expose them to all sorts of ideas and viewpoints – all within a short period of time.
“It’s like a smorgasbord,” Columbus says. “You could have a sit-down meal with a main course. Or you could have a smorgasbord where you sample different things, and it could be just as interesting.
“It appeals to people who really like variety.”
Shorts are perfect for even those with short attention spans, Raddatz says.
“I don’t see why some films need to be two hours, anyway,” he says. “Some of the best movies are only 2 minutes. And those are the ones that stick with you.”
The Fort Myers Film Festival
• What: The Fort Myers Film Festival, a new festival focusing largely on local filmmakers and edgier movies
• When: 7 p.m. Wednesday (opening night gala). 11 a.m. to midnight Thursday through Saturday and 11 a.m. to 4 p.m. Sunday at Sidney & Berne Davis Art Center. 1-8 p.m. Thursday and Friday at Alliance for the Arts. (March 23-27, 2011)
• Where: Barbara B. Mann Performing Arts Hall, 8099 College Parkway, south Fort Myers. Sidney & Berne Davis Art Center, 2301 First St., Fort Myers. Alliance for the Arts, 10091 McGregor Blvd., Fort Myers.
• The movies: Feature-length films, documentaries, shorts, faith-based films, local films and more.
The opening-night gala marks the debut of “A Swedish Midsummer Sex Comedy,” a romantic comedy starring Luke Perry of “Beverly Hills 90210.” Other highlights include the immigrant-rights documentary “Immigrant Nation!” andthe 13-minute “White Other,” a drama with actor Tom Felton (Draco Malfoy of the “Harry Potter” movies) as a troubled youth who goes to a hospital demanding to see a patient.
• Tickets: $5 per film or film session (some sessions involve multiple shorts shown one after the next). Gala tickets are $30 ($12 for students, $150 for VIP tickets). All-access passes cost $400 and give you access to all the festival’s public and VIP events.
• Info: fortmyersfilmfestival.com